Introduction

Daylight - Information from the sky

Light as material: What is LIght?
The eye and the brain - How do we perceive light?
Enlightenment - The camera obscura and Plato's cave
Interaction - some notes on interaction
The making of a Sun-Space Modulator
 

Research Outline

01 Research Question

How does light affect us on a daily basis and how can an understanding of light be used as a design tool to enhance our lives?

02 Interests

Light is vital to our lives. It orientates us in time and space and allows us to see. Corbusier referred to light in his famous quote, "Architecture is the masterly, correct and magnificent play of masses brought together in light". I have come to see light as the most important building material, in necessity of function and the search for beauty in art and architecture.

03 Relationship to studio work

My studio work is concerned with modulating light through media and projecting it. I have experimented with light as image and abstract form in an attempt to understand its character. In trying to understand light and sunlight in particular, without any other constraint, it might be possible to apply it as an architectural tool.

04 The form of this research

Placing the work in context of the art and architecture world.

Defining light as a scientific phenomenon.

Understanding the psychology of vision and perception.

Light as a metaphor for enlightenment.

Interaction and participation.

The application of this research to a sun-space modulator.

05 References

Books

Goethe, Johann Wolfgang von, Theory of colours, Cambridge, Mass; London : M.I.T. Press, 1970.

Gregory, R. L, Eye and brain : the psychology of seeing, Oxford : Oxford University Press, 1998.

Hein, Jeppe, Until Now, London : Koenig Books, 2006.

Minnaert, M. G. J, Light and colour in the open air, London : Bell , 1940

Nye, J. F, Natural focusing and fine structure of light : caustics and wave dislocations, Bristol ; Philadelphia, PA : Institute of Physics Pub , 1999

Pask, G, The Cybernetic Psychology of Pleasure, written prior to the Cybernetic Serendipity exhibition, London, ICA, 1968.

Sebastiano Barassi, Martin Hammer and Christina Lodder, Immaterial, Brancusi, Gabo, Moholy Nagy, Cambridge, Kettle Yard, 2004.

Tufnell, R, Platonic Love, Attila Csörgö, Cambridge, Kettle Yard, 2004.

Waugh, Albert Edmund, Sundials: their theory and construction, New York, Dover Publications,1973.

Webb, Robert Howard, Elementary wave optics, New York ; London : Academic P , 1969

Zajonc, Arthur, Catching the light : the entwined history of light and mind, London ; New YorkBantam Books , 1993

Internet

A terrifying beauty (Filed: 12-11-2003, accessed: 14-04-06) http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2003/11/12/batate12.xml

Have you talked about the weather today? (accessed 13-04-06)
http://www.tate.org.uk/modern/exhibitions/eliasson/default.htm

Light Modulator
http://www.lightmodulator.org/blog/

Magazines

Tate, Captain Spectcular, pg 58, Sept/Oct 2003, Issue 7.